摘要
漆艺是中国传统文化的重要组成部分。雕漆在中国漆工艺发展史上占据十分重要的地位,雕漆是漆材质运用的巅峰样式。在雕漆的发展过程中,以"张成造"剔红栀子花盘为代表的元末雕漆起到承上启下的作用。同时,从漆材质语言角度,以"张成造"剔红栀子花盘为代表的雕漆潜含了漆材质自身发展的规律,漆艺的历史线索是伴随着漆材质的本体特性不断展开的过程。
Lacquer art is an important part in Chinese traditional culture. The carved lacquer style plays quite significant role in the development history of China' s lacquer art. The carved lacquer is the peak style of lacquer material uses. In the development process of carved lacquer, the carved lacquer represented by Red lacquer dish carved with gardenia by before. At the same time, with regard to quer dish carved with gardenia by historic clue of lacquer art is the lacquer materials. Zhang Zhang Cheng at the end of Yuan Dynasty carried forward what goes the lacquer materials, the carved lacquer represented by Red lac- Cheng contains the self - development law of lacquer materials ; the continuous development process which accompanies the characteristics of
出处
《中国生漆》
2013年第4期13-17,共5页
Journal of Chinese Lacquer
基金
山东省泰山学者艺术学项目
关键词
“张成造”
雕漆
漆艺
漆材质
Zhang Chengzao
carved lacquer
lacquer art
lacquer materials