现代性视域下“边疆舞”文化转型研究

On Cultural Transformation of Borderland Dance under Modern View

形成于20世纪上半叶的"边疆舞",作为中国民族民间舞蹈现代形态的重要雏形,得益于戴爱莲深入民间的采集、整理、加工和提高。在思想的启蒙和现代的形式,文化的自觉和民族化的追求,政治斗争和城市舞台的需要等三个因素的影响下,乡村艺术的民俗形式开始转型为现代城市舞台艺术。

Borderland dance, arising in the first half of 20th century, is an important miniature of the modern form for Chinese folk dance. It had benefited from the organization and enhancement work done by Ailian Dai who devoted a lot into resources collection from the folk. Driven by the enlightenment and modern expression, Cultural consciousness and the pursuit for nationalism, as well as the need for political battle and city stage, folk art from countryside began to transform into the stage art in modern city.