论景观歌舞的视觉奇观对传统审美的消解

On Deconstruction of Traditional Aesthetics by Dancing Entertainment in Tourist Attraction

近些年,国内文化舞台上出现了以自然景观为背景,配合现代化技术为手段的景观歌舞。景观歌舞是伴随旅游文化发展,借助当地优势自然资源,结合文学、民俗故事、音乐、舞蹈、美术等多种艺术形式发展出来的一种全新的歌舞形式。本文以"景观歌舞"为研究对象,分别从审美形式特征、审美文化功能和对传统审美影响三个方面展开论述,阐释景观歌舞"在场性"、"奇观性"、"商业性"的审美特质对传统审美的消解。文章以大众文化理论为指导,以具体个案为依据,论证景观舞蹈所面临的巨大挑战,试图为艺术、文化、经济对接下形成的景观舞蹈,在商业和艺术平衡间寻找出路。

In recent years, dancing entertainments in tourist attractions emerge in domestic cultural world equipped with natural scenery as their settings and modern technology as their means. With the development of tourism culture as well as advantages of local natural resources, this type of dancing takes on a brand new form integrating various artistic forms such as literature, folk tales, music, dance, fine arts, etc. This paper studies dancing entertainments in tourist attractions in terms of aesthetic features, functions of aesthetic culture and influence on traditional aesthetics. With characteristic of being“live” , “spectacular” and “commercial”, the dancing shows exerts considerably negative impact on traditional aesthetics. Based on theories of mass culture and case studies, the author of the paper expounds great challenges faced with this type of entertainments, attempting to find a balance between commerce and art for daneinz entertainments formed with the interaction amnng nrl_ culture and eeonomv.