本非正宗(一)——石涛画品论略

The Non-authentic——On the Artistic Quality of Shitao's Painting

较早说石涛画学"本非正宗"的是清人华翼纶、秦祖永。在《画说》中,华氏曰:"画不可有习气,习气一染,魔障生焉。即如石涛、金冬心画,本非正宗,习俗所贵,悬价以待,已可怪异,而一时学之者若狂,遂成魔障。"这是说石涛的画非"正宗";在汇编《画学心印》这本画论的《例言》中,秦祖永曰:"究非山水正宗,姑从割爱。"这是说石涛的画学理论《苦瓜和尚画语录》非"正宗"。可20世纪以来,学界与一般大众却逐渐普遍认为石涛是"17世纪与18世纪之交,中国画坛升起一颗至今光芒未衰的‘巨星’",是"一代大师",是"画圣",是"中国现代艺术之父",不但是"正宗",简直是"正宗"中的"正宗"了。面对同一对象,清人与20世纪以来的评价却天壤悬隔,真让人匪夷所思。究竟正不正宗,原因为何?

Earlier said non-authentic of Shitao's painting were HuaYiGuan,Qin Zuyong.in Huashuo,Hua said,'There shall be no habits,habits in a dye,born and harden.Namely,such as Shitao Jin Dongxin,this is non-authentic,customs are expensive,and already can be weird,and if study of wild,then become hindrances.'It is said that,the painting of Shitao is non-authentic,In Li Yan of Hua Xue Xin Yin,Qin also said that it is non—authentic of Chinese landscape painting,It is said that Shitao painting theory,is not'authentic'.But since the 20th century,academic circles and the general public is gradually considered Shitao'in 17th century and 18th at the turn of the century,Chinese painting rises a light 'star'',is 'a generation of master',is 'st',is the 'father of modern Chinese art,'authentic',and'authentic' in the 'real'.In the face of the same object,the evaluation since the qing and the twentieth century,however,heaven and earth far apart,really strange,authentic or not,for what reason?