摘要
The unique aesthetic feature of the painted Chinese ceramic patterns could be observed and described with the following three aspects: the Cycling Mode of Thought, the Temperature Mode of Thought and the Participation of the Viewer. The main features of the ceramic artists of the twentieth century are as follows:(1) a brand new weltanschauung has been born;(2) geographically, Chinese artists have been moving continuously toward the southern part of China;(3) Chinese ceramic artist with new subjects corresponding with new techniques have traveled into countries East and West around the world.
The unique aesthetic feature of the painted Chinese ceramic patterns could be observed and described with the following three aspects: the Cycling Mode of Thought, the Temperature Mode of Thought and the Participation of the Viewer. The main features of the ceramic artists of the twentieth century are as follows: (1) a brand new weltanschauung has been born; (2) geographically, Chinese artists have been moving continuously toward the southern part of China; (3) Chinese ceramic artist with new subjects corresponding with new techniques have traveled into countries East and West around the world.
出处
《陶瓷学报》
CAS
北大核心
2014年第1期88-89,共2页
Journal of Ceramics
关键词
中国
陶瓷图案画
绘画作品
艺术欣赏
the Cycling Mode of Thought
the Temperature Mode of Thought
the Participation of the Viewer
ceramic artists