摘要
"观光体验"与"真实性"为观光旅游研究中极重要的议题,本文回顾观光社会学家Erik Cohen多年来对"真实性"的探讨,并运用其理念引申出部分补充观点,作为论证观光场域"真实性"的基础。笔者整理出六大类"真实性"之形貌,由最传统的"真实性"到创意的"真实性"再到"舞台化的真实",以及各种类型对"观光体验"之影响,论证运作"观光体系"时把握"真实性"精神的重要性。未来吾人对于"存在的真实性"也应深入研究,以期有助于提升游客之觉知。
“Tourism experiences” and “authenticity” both are very important issues in the field of tourism studies.The article traces the long-term insightful “authenticity studies” by tourism sociologist Erik Cohen , and tries to adopt ( adapt his concepts for discourse the situations of “authenticity” in tourism settings .The author or-ganizes six categories of “authenticity types”, from conventional “authenticity” to creative “authenticity” till“staged authenticity”, and discusses their implication for “tourism experiences .” In conclusion , the maintenance of the “authenticity” spirits is imperative in tourism system .In the future , the issue of “existential authenticity” is worth studying , for enhancing the mindfulness of visitors .
出处
《洛阳师范学院学报》
2014年第3期12-18,共7页
Journal of Luoyang Normal University
关键词
观光体系
观光场域
观光体验
真实性
舞台化的真实性
tourism system
tourism settings
tourism experiences
authenticity
staged authenticity