摘要
钟嵘未对谢惠连的诗歌进行溯源,因为其诗歌风格尚未定型,承袭关系不明显;他的《秋怀诗》、《捣衣诗》情景交融、浑然一体,符合钟嵘的审美理想;"绮丽歌谣"所指问题一直在学术界有争论,通过将谢惠连诗歌与民歌、《古诗十九首》的对比,可以看到他的诗歌既呈现了民歌的风格,又在抒情摹景上有独特之处,因此被钟嵘评为"风人第一"。
The poetic style of Xie Hui Lian' s poetry had not been established and its relationship inherited was not obvious, so Zhong Rong didn't trace his poems' origin. But Xie's poems "Qiu Huai" and "Dao Yi" real- ized a harmony of the scenes with the feelings which fitted into Zhong Rong' s aesthetic ideal so that Zhong Rong praised him as "the first of poets" and his poems as "the beautiful ballad". Regarding the problems "the beauti- ful ballad" referred to, there has been a debate in the academic world. After studying these problems and com- paring Xie' s poetry with " Nineteen Ancient Poems", this paper proposes that Xie' s poetry is of the national style, but also unique in the lyric depicting of scenery.
出处
《许昌学院学报》
CAS
2014年第1期26-29,共4页
Journal of Xuchang University