北朝士人的中原情结——《洛阳伽蓝记》叙事特征及其文化内涵

Chung Yuan complex of the scholarin the Northern Wei Dynasty——The narrative characteristics and cultural connotation of A Record of Buddhist Monasteries in Luoyang

《洛阳伽蓝记》在叙事中不断强调洛阳传承汉文化的历史地位,展现北魏洛阳历史与文化的变迁,并通过典型文化事例展现北魏洛阳独特的文化气质。杨衒之指明,无论北魏还是南朝文化,都是经过融合并包含其他异质文化在内的新"汉"文化。同为新"汉"文化,"中原"主人应该是"中原"的主权拥有者——北魏政权,从而建构起"以北魏为汉文化正统"的文化理想。这种文化理想使《洛阳伽蓝记》成为北朝文化的象征性符号,彰显着新"汉"文化的特质,具有在文学叙事中强调文化融合的意蕴。

A Record of Buddhist Monasteries in Luoyang reveals the historical and cultural changes of the Northern Wei Dynasty in Luoyang, and demonstrates the unique cultural temperament of the Northern Wei Dynasty in Luoyang through typical Cultural stories . Yang Xuan Zhi points that no matter the Northern Wei Dynasty culture or the Southern Dynasty culture is the new chinese culture fused in other cultures.As the new chinese culture, Central plains master should be central plains sovereignty owners---the Northern Wei regime, so as to constructs the cultural ideal that the Northern Wei culture is the orthodox of the chinese culture .The cultural ideal makes A Record of Buddhist Monasteries in Luoyang to be the Northern Dynasty culture symbol, reveals the cultural characteristics of the new chinse culture and emphasizes the significance of cultural fusion in the narrative of literature .