摘要
20世纪,语言问题日趋成为西方文学研究的核心。而在基于对文学语言的理解所展开的理论实践中,当代文论的语言维度得以形成与嬗变。作为富于自觉问题意识的批评理论类型,不仅从本体论上关注语言内在属性之于文学的关键性,强调审美性是文学媒介的技术延伸;而且还从逻辑与认识论方面研讨文学语言的述行性,分析文学作为文化表意媒介的实践特征,及其对于文学活动关系网络的深层规约。
In the 20th century, the media has become the core problem of literature in the study of Western literature .In the theory and practice based on the understanding of language media , the language dimension of literary studies forming and develop-ment.As full of conscious awareness of critical theory methodology type , which concern not only from the ontological characteristics of language itself in literature and literary expression , emphasizing the aesthetic is a technical extension of literary language? And, also from a logical and epistemological discussion of literary language practice , analyzing the performative characters of literature as the me-dium of cultural expression, and its deep statute on literary activities and text generation.
出处
《北方论丛》
CSSCI
北大核心
2014年第2期73-76,共4页
The Northern Forum
基金
教育部人文社会科学研究青年基金项目"语言批评的社会历史向度研究"(13YJC751053)
河南省教育厅人文社科研究项目"当代文论的语言维度及其知识语境与问题意识"(2013-GH-561)
信阳师院博士科研启动基金(2012)
青年骨干教师资助项目(2013GGJS-17)
关键词
文学
媒介
语言
述行
literature
medium
language
performance