摘要
戏剧壁画是一种反映戏剧外观形象的史料,其文物实体约出现于汉代。考古发现的墓室壁画为探讨戏剧发生与发展提供了丰富的图像资料;洞窟所存壁画为戏剧音乐和歌舞研究呈现出诸多实物证据;神庙壁画中的戏剧现场史料则反映出更多的戏剧元素和内容。对戏剧壁画进行梳理和研究,可以深入了解壁画内容并印证相关文献的可信度。从戏剧与壁画的发生因子和发展模式看,在中国古代艺术领域中音画的发展应该是同步的。以壁画形式展现戏剧内容,则在一定程度上反映出"看图讲诵"与戏剧之间的关系。
The drama mural ,some of which appeared in the Han Dynasty ,is an entity of the historical data reflecting the images of the drama appearance . The archaeological tomb murals provide a wealth of image data to investigate the occurrence and development of the drama . The grotto murals show a lot of visible evidence to do the research on the drama music with dramatic elements and contents . Collating and researching the murals can help better understand the contents and the credibility of the related documents . From the perspective of the occurrence and development of the drama and the mural , the sound and the image should be synchronized in the field of the ancient Chinese art . To some extent , the contents of the drama in the form of murals can reflect the relationship between the picture description and the drama .
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
2014年第1期82-87,共6页
Journal of Northwest Normal University(Social Sciences)
基金
教育部人文社会科学重点研究基地重大项目"敦煌文学作品叙录与系年"(12JJD770007)
关键词
戏剧壁画
以图证文
音画同步
看图讲诵
drama mural
text confirmation by the image
synchronization of sound and image
picture description