摘要
生态美学生发于特定语境,它以人类生存中遭遇的生态危机为现实基础,力求在传统哲学中汲取思想资源,以寻求对以艺术为核心对象的传统美学的完善、丰富和充实,建立人与自然平等共生的亲和关系。但是,中国生态美学理论的深化发展目前面临着学科定位不清、缺乏实践操作性、中西理论基点差异导致的思维偏向等学术困境,这即是理论体系自身的生态"非平衡"问题。
Ecological aesthetics is generated in the particular context , based on the ecological crisis human beings encountered , strives for digging in traditional philosophy and learning resources of thoughts , so as to search for the improvement and richness of traditional aesthetics with art as its core objective , and establishes equal symbiotic affinity relationship between human and nature . However , further development of Chinese ecological aesthetics theory is facing academic difficulties , such as no clear subject orientation ,lack of operational practice ,the differences between Chinese and western theories leading to thinking bias , w hich is the ecological “unbalanced” problem in theoretical system .
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
2014年第1期88-94,共7页
Journal of Northwest Normal University(Social Sciences)
基金
国家社会科学基金项目"中国审美形态研究"(11XZW001)
关键词
生态美学
生发语境
学术困境
ecological aesthetics
germinal context
academic difficulties