摘要
朱光潜和宗白华在各自的论著中都对中国古典诗学的"观照艺术"作了细致的分析和多重解读。朱光潜在前期美学思想体系中主要提出"美是主客观的统一"、"审美是形象的直觉"等重要观点。宗白华也以其颇具特色的"散步"美学,立足于艺术本体与生命经验的分析,将中国古典美学与现代观照方式相结合,建立了"艺术的、有我的、自由的"审美体验论,拓展和深化了中国古代审美的"观照哲学"。
Zhu Guangqian and Zong Baihua have made detailed analysis and multiple interpretations on aesthetic contemplation a- bout Chinese classical poetics in their treatises. In Zhu' s early aesthetic ideology, he mainly put forward that beauty is the unity of subjective and objective, aesthetic appreciation is the intuition of image and some other important points. Zong is also known for its dis- tinctive ramble aesthetics, which is based on the analysis about the noumenon of art and life experience, and combines Chinese classi- cal aesthetics with modern contemplated ways, establishing artistic, myself, free aesthetic experience theory. Not only will it broaden and deepen the ancient Chinese aesthetic contemplation philosophy.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2014年第2期88-90,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
朱光潜
宗白华
观照艺术
Zhu Guangqian
Zong Baihua
aesthetic contemplation