从意象到情境——略论“西楼”意象的生成、移植与超越

From Image to Situation: the Generation, Transplantation and Transcendence of the "West Tower" Image

中国人的思维是一种意象思维,多采取观物取象、立象以尽意的思维方式。这种思维方式决定了中国人常常通过刻画审美意象来抒写情感、创造某种艺术形象。在传统文学思维中,"西楼"意象就是这样一种意象思维。它经历了从诗词中的西楼具象到意象的形成及对戏曲中西楼意象的演变,通过对袁于令《西楼记》中西楼意象的分析,可以发现它对建构戏剧情境的重要作用。

The Chinese thinking is a kind of imagery thinking, often abstracting images from viewing, and using imagery to express meaning. Thinking in this way, the Chinese often depict aesthetic images to express feelings and to create some kind of artistic image.＆quot;West tower＆quot;is an image thus formed. Through analysis of the west tower in Yuan Yuling＆#39;s Story of the West Tower, we can ifnd the important role of this image in creating the dramatic situation.