摘要
北京故宫博物院藏《王玉燕写兰图》、《骆绮兰平山春望图卷》及南京博物院藏《袁母韩孺人像》,阐释乾嘉时期的三幅绘画中不同的女性生活和不同生活追求下的人生选择。这三幅女性写真画不仅记录了王玉燕、骆绮兰和袁母韩孺人的容貌,而且画像根据三位女性不同的生活志趣选取不同的表现方式,使写真画成为她们生命的映照。
Two portraits in the Palace of Museum and one collected by Nanjing Museum reveal to us different life styles of women and their different pursuits. These portraits not only depict the women ’s appearances, but also resort to various drawing techniques to reveal their different tastes, which makes the portraits into vivid pictures of their lives.
出处
《南通大学学报(社会科学版)》
CSSCI
2014年第1期85-90,共6页
Journal of Nantong University:Social Sciences Edition
关键词
乾嘉时期
女性写真
文人
Qianlong and Jiaqing’s time
portraits of women
literati