Guilt, Love, and Forgiveness in David Hare＇s The Reader and Bernhard Schlink＇s Der Vorleser

Guilt, Love, and Forgiveness in David Hare＇s The Reader and Bernhard Schlink＇s Der Vorleser

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作者 Naglaa Hassan Abou-Agag

机构地区 Alexandria University

出处《Journal of Literature and Art Studies》 2014年第3期174-179,共6页 文学与艺术研究（英文版）

关键词戴维朗读文本表示可能性分析纳粹德国阅读器野兔读者 guilt, David Hare, Shoshana Felman, Nazi Germany, juridical unconscious

参考文献8

1Arnold, M. (1987). The study of poetry. In D. J. Enright, & E. De Chickera (Eds.), English critical texts (pp. 260-285). Oxford: Clarendon Press.
2Boon, K. A. (2008). The screenplay, imagism, and modem aesthetics. Literature~Film Quarterly, 36(4). Retrieved from http://www.questia.com/read/1P3-1592024251/the-screenplay-imagism-and-modem-aesthetics.
3Elam, K. (2002). The semiotics of theatre and drama (2nd ed.). London: Routledge.
4Felman, S. (2002). The political unconscious: Trials and traumas in the twentieth century. Cambridge: Harvard University Press.
5Hare, D. (2009). The reader. New York: Weinstein Books.
6Schlink, B. (1995). Der Vorleser (The reader). (C. B. Janeway, Trans.). New York: Vintage Books.
7Stem, F. (2004). The holocaust: Representing lasting images in film and literature. In J. Matthaus (Ed.), Contemporary responses to the holocaust (pp. 193-218). Westport, CT: Praeger.
8Worthington, K. L. (2011). Suturing the wound: Derrida's "On forgiveness' and Schlink's The Reader". Comparative Literature, 63(3), 203-224.

Journal of Literature and Art Studies

2014年第3期

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