现代性的多维向度与底层文学的叙事形态——兼论西部回族小说的底层叙事

Multi-dimensions of Modernity and Narrative Form of Bottom Literature——A Discussion of the Bottom Narration of Western Hui Novels

现代性的多维结构,包括感性现代性、理性现代性、反思现代性,与乡土中国的现代性转型呈现出对应的态势,新世纪以来的西部回族作家始终将底层视域作为集体性的叙事视角,对西部乡土的现代性转换在感性、理性与反思层面进行着艺术言说,进而构建出西部底层文学的生存、欲望、政治、文化、诗意等叙事模态,在丰富底层文学叙事空间的同时,也昭示出现实主义传统在新世纪文学版图格局中,重拾纯文学话题历史惯性所遗落的现实性、介入性与人民性。

The multi-dimensions of modernity including perceptual modernity, rational modernity and reflexive modernity show a corresponding trend toward modernity transformation of rural China. Since the new century, the Western Hui writers have always taken the bottom view as a collective narrative perspective and discussed the modernity transformation of Western rural novels at perceptual, rational and reflexive levels through artistic language. They have constructed the narrative modes of survival, desire, politics, culture and poetry of Western bottom literature, enriched the bottom literature narrative space, and at the same time, displayed the restored characteristics of reality, intervention and people through realism tradition in literature of the new century which were lost in pure literary topics in history.