低音提琴的演奏及其效果提升的路径分析

An Analysis of the Performance and Effect Promotion Path of Double Bass

低音提琴声部是管弦乐队中的一个重要的和声基础,整个管弦乐队演奏出的美妙的、立体式的音响效果,不单单是指挥、高中音乐器、打击乐器等对作品的音乐表达,而是低音提琴声部与其他高中音乐器、其他低音声部乐器等共同创造出来的。如果低音提琴的演奏效果不到位,将会直接影响整个乐队对于演奏作品的表达。从低音提琴的演奏动作及其规范问题、气息的调整与多种弓法的熟练掌握、演奏者之间的交流和专业沟通三个方面分析强化基础训练与提升演奏效果的关系,指出感知与领会乐曲是增强乐曲演奏感染力的重要环节,并从把握乐曲本身所反映的内涵和情感、将演奏者的感情融入到作品中去、增强团队精神和协奏意识等方面进行论述。

Double bass is an important basic harmony in an orchestra .A wonderful and three-dimensional sound from the whole orchestra is obtained not only by the conductor ,the treble and alto musical instru-ment and percussion instrument ,but also by a combination of the double bass with other treble ,alto and bass musical instruments .It is believed that if the double bass is not performed in place ,expression of the works will be directly affected .In this article ,the relationship between strengthening basic training and upgrading the performance effect is analyzed from three aspects ：performance gesture and regulatory issues in the double bass ,breath control and proficiency in a variety of bowing and professional communication between performers .Perception and understanding play an important role in enhancement of music appeal . Moreover ,how to accurately reflect meaning and emotion of works ,how to integrate performer＆#39;s senti-ment to the work and how to enhance team spirits and concerto consciousness are also discussed .