摘要
乐象是中国音乐美学特有的范畴和命题。荀子最早提出"乐象"的概念,《礼记·乐记》设有专门的乐象篇。乐象有两个基本构成要素:心与声,所谓乐象就是心对声的能动作用。中国古代乐象思想强调音乐审美中"心"的重要作用,心驰骋万象,妙在象外,追求声象之外的空灵之境,形成了有中国文化特色的乐象理论,为意境论的形成奠定了理论基础。
＂Yuexiang＂ is the key categories and peculiar proposition in Chinese music aesthetics. Xunzi first suggested the conception and there was the contents of ＂Yuexiang＂ in specialty in ancient works. The conception of ＂Yuexiang＂ is more suitable than the notion of ＂musical image＂ accord with Chinese culture foundation and the feature of time from the art of music. ＂Yuexiang＂ consists of two basic elements： heart and sound. The meaning of it is the dynamic function of heart to sound. It pays more attention to the heart in music aesthetic thoughts, which lays the theoretical foundation for the artistic conception theory.
出处
《新疆艺术学院学报》
2014年第1期90-94,共5页
Journal of Xinjiang Arts University
基金
新疆师范大学2013年校级重点学科资助课题"嵇康音乐美学思想研究"(项目号13XSXZ0905)
新疆师范大学2011年博士科研启动基金资助项目"魏晋南北朝音乐美学思想研究"(批准号XJNUBS1116)
