摘要
Li Huaiyin＇s new book deals with the dialectic and competing processes ofwriting the history of ＂modem China＂ in China during the past century. Li presents the writing of history as a literary genre that has produced multiple narratives in different periods, narratives that corresponded to or were instigated by particular socio-political （especially political） circumstances of the protagonists of his story. In general, Li depicts these narratives as ＂romantic,＂ ＂optimistic,＂ or ＂pessimistic,＂ based on two major conflicting paradigms （or ＂grand narratives＂--Li often uses ＂narrative＂ and ＂paradigm＂ interchangeably）： ＂modernization＂ and ＂revolutionary.＂
Li Huaiyin＇s new book deals with the dialectic and competing processes ofwriting the history of ＂modem China＂ in China during the past century. Li presents the writing of history as a literary genre that has produced multiple narratives in different periods, narratives that corresponded to or were instigated by particular socio-political （especially political） circumstances of the protagonists of his story. In general, Li depicts these narratives as ＂romantic,＂ ＂optimistic,＂ or ＂pessimistic,＂ based on two major conflicting paradigms （or ＂grand narratives＂--Li often uses ＂narrative＂ and ＂paradigm＂ interchangeably）： ＂modernization＂ and ＂revolutionary.＂
