论刘克庄《梅花百咏》唱和活动的多重意义

The Various Significances of Liu Kezhuang's Meihuabaiyong Responsory Activities

淳祐十年,刘克庄因内侄二林的一次吟咏而创作《梅花百咏》,受到士人的广泛关注,前后共有二十余位缙绅先生、江湖社友参与了此次唱和活动。《梅花百咏》唱和拉近并加深了以刘克庄为中心的福建地域士人关系,是唱和诗社会元素的浓缩体现;同时,也是刘克庄对无辜遭逢"梅花诗案"的无声反抗。唱和活动背后不仅蕴含着宋人爱梅、咏梅的文化意义,是两宋梅文化极致发展的体现,亦是刘克庄标举诗歌"风雅"传统的一次实践活动。

In ChunYou tenth year, Liu Kezhuang wrote Meihuabaiyong inspired by his two nephews, to which had been widely paid attention by scholars, a total of more than twenty people, such as imperial offi- cials and rural poets, participated in this activity. This activity closes and enhances the relationship among scholars in Fujian area around Liu Kezhuang and it reflects the social formation about elements of sociology; Meanwhile, it also represents Liu Kezhuang＇s silent revolt to poetry disaster. The activity not only contains cultural significance that people love and praise Mei, but also embodies the extreme development of Song dynasty＇s Mei culture. It is a practice activity in which Liu Kezhuang advocates the ＂elegant spirit＂ tradition of poetry.