摘要
20世纪30年代,中国新诗坛出现了在当时著名的"二梁之争"。表面上看,梁实秋和梁宗岱的争论是意气之争;但是,在逞才使气的背后,他们的争论是由于各自所秉持的诗歌观念的迥异造成的。"二梁之争"发生在中国新诗从"非诗"走向"本体的诗"、从"散文化"走向"纯诗化"的分歧路口,在中国新诗理论发展史上有其丰富的内涵。
The notable controversy between the two Chinese famous modem poets, Liang Shiqiu and Liang Zongdai, appeared in China＇ s new poetry circle in 1930＇ s. Apparently, it was an argument for personal feelings. However essentially speaking, the point lied in their divergence in the concept of poetry. The controversy between them centered round the issues of new poetry, including non-poem vs. original poem and prosification vs. pure poetics. This controversy is of much significance for the development of Chinese new poetry theory.
出处
《广东外语外贸大学学报》
2014年第1期8-11,共4页
Journal of Guangdong University of Foreign Studies
基金
2009年度教育部人文社会科学青年基金(YJC751041)
2011年福建省哲学社会科学规划项目(2011B175)"20世纪30年代自由诗理念研究"阶段性研究成果
关键词
梁宗岱
梁实秋
象征主义
非诗
本体的诗
散文化
纯诗化
Liang Zongdai
Liang Shiqiu
symbolism
non-poem
original poetry
prosification, pure poetics
