中西诗画关系论之比较——以苏轼和莱辛为例

A Comparison of Views on Relations between Poetry and Painting in China and the West——A Case Study of Sushi and Lessing

诗与画的关系在中西美学史上都是一个热点话题,但是对这一问题中西传统却有不同的认识。在西方有"诗画异质"说;在中国"诗画相融"才是诗歌艺术的最高境界。通过比较莱辛和苏轼的诗画论断,从而发现中西方在美学观、诗画创作主体、审美文化心理、时空观念等方面迥乎不同,因此对诗画关系的认识也大相径庭。

While the relationship between poetry and painting has long been a hot topic in the history of Chinese and western aesthetics, there have been different views on this issue in China and the West, for it is opined in the west that ＂poetry and painting are heterogeneous＂ while ＂the harmony between poetry and painting＂ is consid- ered the highest state of poetic art in China. A comparative study of Su Shi＇s and Lessing＇s views on poetry and painting can exhibit differences between China and the West in their aesthetic view, the subject in the creation of poems and paintings, the psychology of their aesthetic culture, and their concept of space and time, etc, which has resulted in the widely diverse ideas on the relationship between poetry and paintings in China and the West.