摘要
《去吧,摩西》借助账本叙事的亦文亦史性、逸闻主义的小叙事策略,以及"真实"触媒和反历史的双重功能,剖析麦卡斯林家族三角同性恋和三角血亲乱伦的罪恶本质,揭示在种族关系和血缘伦理的剧烈撞击下南方贵族大家庭走向衰落的深层原因,彰显南方种植园家族罗曼司和奴隶制堂皇叙事背后的社会能量流通与协商共谋关系。
The features of literariness,historicity,anecdotalism and small narratives of the ledger narration in Go Down,Moses enable it to expose the evils of both the homosexuality triangle and incest triangle in the ancestral history of McCaslin family. The ledger narration here possesses two major functions, namely 'touch of real ' and'counterhistory'. The former provides a peephole to observe the ruin of the American South by seeing through the decay of a big aristocratic family in this area,whereas the latter helps to pierce the masque of the grand history and lay bare the myths of the plantation family romance and the humanity of the slavery so as to explore essence of the circulation of social energies,the negotiation and the conspiracy relationships hidden behind the grand history.
出处
《解放军外国语学院学报》
CSSCI
北大核心
2014年第2期130-137,158,共9页
Journal of PLA University of Foreign Languages
基金
国家社会科学基金项目"福克纳家族叙述与新时期中国家族小说比较研究"(12BWW009)
教育部人文社会科学规划基金项目"当代美国南方文学主题研究"(10YJA752008)
兰州大学中央高校重点培育项目"美国南方文艺复兴文学研究"(12LZUJBWZP004)
