从比喻视角看《生死疲劳》的魔幻语言风格

On the Language Style of Magic Realism of FatiguesofLifeand Deathfrom the Perspective of Metaphor

莫言是中国当代文坛上语言成就极高的作家,也是东方魔幻现实主义的杰出代表。作为中国第一位诺贝尔文学奖的获得者,他为读者带来的不仅是跌宕恣肆的小说情节、酣畅淋漓的情感倾诉,更是激狂流畅的小说语言以及这些生动的语言营造出的奇诡虚幻的感觉世界。莫言的《生死疲劳》是一部魔幻色彩很浓的长篇小说,在这部小说里,比喻辞格的变异使用,成为他铺设情节、刻画人物、宣泄情感的绝佳手段,打破了读者的常规阅读习惯,使小说充满了魔幻怪诞的色彩,制造出了一个超验的感觉世界。

MO Yan has made great language achievements in Chinese contemporary literature, and he is an outstanding oriental representative of magic realism. As China＇s first Nobel Prize winner, he not only presents dramatic fictional plots as well as hearty emotional talks, but also creates an unreal and strange world with a crazy novel language. Fatigues of Life and Death is a fantasy novel of magic realism where the deviation of metaphor is an excellent way of setting plots, describing characters and expressing emo- tions. It breaks the reader＇s conventional reading habits, making the novel full of magic flavor by creating a transcendental word.