摘要
满族萨满舞和维吾尔族萨玛舞同源异流,是萨满舞流传过程中的代表。两者在嬗变过程中更多地融入了宗教、民族、地域等特征,从而表现出共同的要素和各异的特点。其共同点体现在形式内容、动律特点、服饰法器等方面;不同点在于表演形式、动作特点、歌曲、节奏、乐器使用等方面。
Manchu shaman dance and dance homologous Uygur Sama have different streams. They are the representative ones of shaman dancing. Both of them are blended into more religious, ethnic, geographical and other characteristics during the transmutation process, which shows common elements and different characteristics. The common points are reflected in its form content, the movement and rhythm characteristics, clothing and other aspects. The difference shows the forms of performances, operating characteristics, songs, rhythms, and other aspects of usage of musical instruments.
出处
《新疆职业大学学报》
2013年第6期39-41,49,共4页
Journal of Xinjiang Vocational University