社区居民对文化空间旅游化的认同与选择——以兴文大坝苗族乡小寨村踩山节田野调查为例

Community Residents Identity and Choice of Cultural Space Tourism——Taking the Field Survey of XingWen Dam Hmong Township XiaozhaiVillage Climbing Festival as an example

非物质文化遗产透过旅游化生产持续生存已经成为一种模式。苗族踩山节作为可贵的非物质文化遗产,在旅游规划中的符号化构建,发展成为有名的文化景观——舞台化的"花山节",是这一模式的代表。通过对兴文县大坝苗族乡小寨村的田野调查,表明"踩山节"文化空间作为"景观符号"在政治与民族层面进行展演的同时,作为遗产传承主体的村民在这一节日中由"主"向"客"转化,这一转化使村民这一遗产主体被排除在文化旅游之外,造成传统文化的消失。

Intangible cultural heritage continuing being existent through tourism production has become a pattern. cultural Hmong ＂Climbing Festival＂ as a valuable intangible cultural heritage develops into a well -known landscape —— the stage of the ＂Flower Festival＂ though symbolic promotion. Field surveys show that ＂Climbing Festival＂ cultural space construction has been a ＂View symbol＂, while in the performance with po- litical and nationality, the villagers from the ＂master＂ evolved into ＂guests＂. The legacy of the heritage of the villagers culture. were excluded from the main cultural tourism outside, resulting in the disappearance of traditional