摘要
对悉尼歌剧院做了现场详细观察,认为该剧院是一座成功的港口雕塑,其构造方式与建筑设计意图珠联璧合。由保罗·安德鲁拟议的北京中国大剧院不可能成为建筑艺术品,其椭球形穹窿结构设计全无新意,而制作则极度困难,其他方面也困难重重。安德鲁“割断历史”的意愿绝不可取。
This author, after a close survey on the spot of the Sydney Opera House, admits that the building is a successful harbour sculpture, and the way of construction is quite in accordance with the architectural idea. It is impossible for the proposal design of the National Theater of China in Beijing made by Paul Andrew to become an artistic piece, and the structural design of the ellipsoidal dome is nothing new, yet the construction will be utterly difficult and so will be other items. The intention 'to cut off the historical link' declared by Mr. Andrew can never be desirable.
出处
《新建筑》
北大核心
2001年第1期45-48,共4页
New Architecture