摘要
文彦建筑哲学的系统中枢由建筑学与人类文化学交叉凝聚成基本支撑框架。其设计立场首先是建筑空间的“人性”，同时追求以“地域性”作为人性空间的文化载体。所有的技术手段只不过是体现“人性”与“地域性”的物质构成元素。
The centrum of Fumihiko Maki's architectural philosophy system is constituted by the interaction of architecture and ethnology. The base of his design is the “humanity” of the architecture space, and he seeks “regionality” as the cultural carrier of the humanity space at the same time. All the techniques are only the physical components to materialize the “humanity” and the “regionality”.
出处
《世界建筑》
北大核心
2001年第1期27-31,共5页
World Architecture
