摘要
宋徽宗赵佶存世的作品可谓真假参半。作为一代帝王也作为一个优秀的画家,有大量的宫廷画师会为他作代笔画,他只需在上面签上名款即可,因此他的代笔画数量达到历史之最。代笔是书画作伪中一个重要且非常为复杂的作伪类型,通过宋徽宗这个典型艺术个案的解读进一步探究他的代笔画与亲笔画的差异性。
The present works of Song Huizong are the true mingled with the false. As an emperor and an excellent painter,many court painters created Pictures for him,on which he just put down his signatures and seals. As a result his fakery pictures were the most in his-tory. Fakery pictures were an important and complicated type of faking,which could serve to explore the difference between his fakery pictures and his authentic pictures.
出处
《南京工业职业技术学院学报》
2014年第1期16-18,26,共4页
Journal of Nanjing Institute of Industry Technology
关键词
宋徽宗
赵佶
代笔画
亲笔画
作伪
Song Huizong
Zhao Ji
fakery picture
authentic picture
faking