论清末民初巴蜀词坛的创作力量构成

The Creative Group of Sichuan Poetic Circles in the Late Qing Dynasty and the Early National Republic of China

在清代词史上,蜀中本是薄弱地带。漫漫二百年,仅清初先著、清中叶李调元稍有名而已。清末民初,蜀中词人群体异军突起,大放光彩。本文以朱德宝、赵熙、冯江、李穆宣、林思进、周岸登等为例进行个案剖析,意在凸显各词家特点的同时,展现这一时期巴蜀词坛的整体风貌。其中特别指出赵熙面对忧患时世,其所谓"不知而作"、"自鸣其秋"首先是不能已于言,其次在艺术宗法上也必然不束缚于某家某派,而是自求情性之适,从而蔚然为西川词宗。林思进感时伤乱,词集中的田园题材不仅多,且佳作琳琅,足为辛稼轩、陈迦陵、陆震、郑燮以来的"田园农事词史"生色。而周岸登氏虽不免晦涩好奇之病,其才也有难副心志处,然而笃力为词,敢拈大题目,风格也力求变化不拘囿,百年蜀中,其位置当居香宋词人之次席。他们构成了清末民初巴蜀词坛的主要创作阵容。

In the history of the Qing Dynasty＇s poetry,the mid-Sichuan area was in the weak link.For two hundred years,only Xian Zhu of the early Qing Dynasty and Li Diaoyuan of the mid-Qing Dynasty had gained some kind of popularity.In the late Qing Dynasty and the early National Republic of China,Sichuan poet group suddenly came to the fore.In this paper,by analyzing the works from Bao Zhu,Zhao Xi,Feng Jiang,Li Muxuan,Lin Sijin and Zhou Andeng,while highlighting their distinct characteristics,we would intend to show the overall style of this period in Sichuan Poetic Circles.Zhao Xi,faced with the hard times,whose so-called‘not knowing but just do it＇,‘profess to be above politics and worldly＇is not to be understood first,followed by the fact that his art style is not bound to a particular faction but seek the plea of fitness,eventually became the master of West Sichuan.Lin Sijin＇s sentiments led to his creating lots of poets on the pastoral theme,among them were large numbers of masterpieces,which fully made‘the pastoral poetry＇enjoyable dating back to Xin Jiaxuan,Chen Jialing,Lu Zhen and Zheng Xie.Zhou Andeng＇s works,though,had the flaws of being inevitably obscure and curious,he was devoted to the poet-making,daring to cast big topics,and his style also sought to change.Indeed,his talent couldn＇t be expressed completely.However,he still ranked second for five decades in Mid-Sichuan.The writers above constitute the main creative group of Sichuan Poetic Circles in the late Qing Dynasty and the early National Republic of China.