摘要
2013年美国动画电影《疯狂原始人》上映后票房收入颇丰,且好评不断。影片不仅带给了受众新奇逼真的3D视觉体验,激发了观众对远古生活的怀旧情怀,更重要的是史前时空设置的生态叙事方法表达平等生存的渴望,既跨时空地映衬现代条件下人类生存的多重生态关系,又多角度地引发人们对于现代生存困境的思考。电影试图用一种生态整体观统筹故事发展,构建人与自然、人与人的关系,铺设叙事过程,这对我国动画电影的创作和传播具有一定的启示意义。
After the animated film The Croods was shown in 2013. it was not only doing very well at the box office, but also getting so much favorable comments and widespread concerns. The good performance of The Croods brings audiences wonderful 3D visual experience and inspires nostalgia. More important thing is that this movie tells a story happened in prehistoric times in a modern way and expresses the desire to equal survival. The Croods shows dilemma of human existence and leads us to think about our survival predicament from various an- gles. The movie tries to propel the story forward with ecological holism and to narrate a fantastic adventure with e- cological awareness. It is significant for the development of Chinese animated film.
出处
《鄱阳湖学刊》
2014年第1期97-102,共6页
Journal of Poyang Lake
基金
国家社科基金项目"生态批评与中国文学传统融合及学理构建研究"(10BZW001)的阶段性成果
关键词
动画电影
生态叙事
生态整体观
时空建构
animated film
ecological narrative
ecological holism
time-space construction