清康熙年间徽州方志中山川版画研究

Research on Landscape Woodblock Prints in Chorography of HuiZhou in Kangxi Period of Qing Dynasty

明清两代,徽州刊刻的山川版画绝大多数源于方志的插图,自从有了方志,不同时期编撰者们不仅在文字内容方面加以充实、完善,在插图的表现上也有不同的呈现,以府志、县志为例主要为地貌、城垣(廓)等,而以专志如山志则更为细致和丰富。作为因地域因素而存在于方志中的山川版画所起的作用有两种含义:标明地貌关系及独立的审美价值,而康熙年间的方志版画正具备了这种特征。

In the Ming and Qing dynasties, most of the landscape woodblock prints of HuiZhou are found as illustrations in local chronicles. Since the compilation of chorography, the compilers not only consummated them in words but also in the representation of illustrations. For example, the chorography of states and countries had descriptions of landforms and city walls especially in the chorography of landscape. The landscape woodblock prints in Kangxi period, as a geographical factor, have significances of geomorphologic relationships and independent aesthetic value.