摘要
晚清词人况周颐"别用一种眼光"论女性词,既有对女性词轻灵有余沈著不足的遗憾,亦有对女性词抒情深至、风格独特方面的肯定;况氏的"词心"说涵盖对真情的重视,这是其选录女性词作的重要标准,而清丽与沈著则是其对女性词作的最高期许。
Kuang Zhou-yi used new criteria, different from the traditional ones, to evaluate feminine lyric poetry. He approved the subject identity of female write~ and affirmed the deep emotion embodies in their lyric poems. Kuang Zhou-yi believed the core of lyric poetry was the expression of true feelings which was a key reason that he selected women's lyric poems. His highest expectations for feminine lyric poems were "Qing Li" and "Chen Zhuo'.
出处
《太原大学教育学院学报》
2014年第1期66-68,共3页
Journal of Education Institute of TAIYUAN University
关键词
况周颐
词论
女性词
Kuang Zhou-yi
theory of lyric poetry
feminine lyric poetry