摘要
《白纻舞》约产生于汉代,逐渐由民间巫舞发展为宫廷舞蹈。《白纻舞》在唐代前期亦十分兴盛,但在中晚唐时期则逐渐由无舞的清唱代替。唐人在《白纻辞》的创作中既有对前代的继承亦有开创,许多作品表现出对女性命运的关注,有的诗篇则寓有较深刻的讽谏意义。
BaizhuDancecame into being in the Han Dynasty. At first, it was a folk sorcery dance and then was introduced into the royal court. BaizhuDancewas flourishing during the early Tang dynasty, whereas it gradually lost ground to unaccompanied song during the middle-late Tang Dynasty. BaizhuSongnot only inherits tradition but also has its own innovations. Many songs are concerned about the fate of female, others are extremely ironical.
出处
《西昌学院学报(社会科学版)》
2014年第1期19-23,共5页
Journal of Xichang University:Social Science Edition
基金
江苏省2013年度普通高校研究生科研创新计划项目"唐代舞蹈诗研究"(项目编号:CXLX13_351)