摘要
戏曲是一种现场艺术,以演员和观众的现场互动为主要表现和体验方式,在相应的活动中,观众和演员同样都是剧情、戏景和体验效果的能动的创造者;然而现代信息技术的发展却改变了这一切,这种改变的结果是:混淆了写实艺术与写意艺术的界限,瓦解了戏曲观众,解构了戏曲传统的表现和体验方式,同时也泯灭了观众自由想象的创造力。
Traditional Chinese opera is an art taking the on - site interaction between the actors and the audience as the main performing and experiencing ways. In the corresponding activities, both audience and the actors are the active crea- tors of the story, play scene and experiencing effects. However, this has been changed by the development of modem in- formation technology. The results of this change lead to the confusion of the boundary between realist art and impression- ist art, disintegration of the audience, destruction of the performing and experiencing ways of the traditional Chinese op- era, and obliteration of the creativity of the free imagination of the audience at the same time.
出处
《西安交通大学学报(社会科学版)》
CSSCI
北大核心
2014年第2期100-103,共4页
Journal of Xi'an Jiaotong University:Social Sciences
基金
教育部人文社会科学研究项目(11YJA720027)
关键词
信息技术
戏曲本质及解构
戏曲艺术
information technology
deconstruction
traditional Chinese opera