摘要
《逃离》中"Flora"和卡拉的意象图式在"图形—背景"不断更迭的过程中,被不断切断、重续,造成了两种意象图式的交织叠加、互为映射。并以此构造了精巧的叙事结构,悬念迭起的故事情节。在意象片断的重组与再续过程中,Flora的形象被不断重塑,其内涵不断丰富,最终形成了层次多重的意象原型,并推动了各角色意象图式的动态构建。
In Runaway, the schemas of Flora and Kara are continually disrupted for the constant exchange of figures and grounds, which makes the overlap and mutual map of the two schemas.Sophisticated structure and suspense after another are constructed at the mean time.In the process of restructuring and adjourning, the image of Flora is constantly remodeled and the connotations it conveys are expanded, which contribute together to form the prototype of Flora with a multi-layered meanings eventually, but also push various image schemas being built dynamically.
出处
《成都工业学院学报》
2014年第1期82-84,共3页
Journal of Chengdu Technological University
基金
广西壮族自治区教育厅项目"二战后加拿大英语女作家短篇小说中的意象研究"(201203YB018)