春秋时期楚国王子午鼎中的装饰纹样研究

Research on the decorative patterns from Prince Wu Ding in spring and autumn period

春秋晚期早段所铸造的王子午鼎造型独特、纹饰精美,被誉为春秋时期楚国青铜器的巅峰之作。王子午鼎铸于公元前558年,其装饰题材依然延续了中原地区的主流内容,装饰纹样在鼎的表面形成了细腻和谐、张弛有度的整体空间,具有与众不同的装饰风格。王子午鼎在形成当时的装饰风格之前必定经历了一个循序渐进的发展过程,之前的克黄升鼎、变形重环纹升鼎、交龙垂鳞纹鼎正好见证了这一点。本文对王子午鼎装饰风格的成因及发展规律进行了梳理和归纳。

Prince Wu Ding, which have unique modeling and fancy decorative patterns, are known as the great bronze art of Chu dynasty in Spring and Autumn period. The Prince Wu Ding were cast at B.C 558, and its decorative theme continued the mainstream content of the central plains of China.These decorative patterns have formed an exquisite and harmonious space which has a larruping decorative style. The Prince Wu Ding had an orderly development process before formed current decorative style. The Sheng Ding which were cast before the prince Wu Ding, such as the Kehuang Sheng Ding, the Ding with deformed scale design, and the Ding with interlaced dragons and scale design, just can prove this view.At last, the author sums up the causes and development laws of decorative style for Prince Wu Ding.