摘要
我国考古所见的早期几何纹铜镜多为商周时期的文化遗存,广泛分布于中原、北方及西北的广阔区域里。此类铜镜几何装饰风格的形成是对古老彩陶、岩画及墓葬地表建筑艺术视觉形式的借鉴与创新。早期几何纹饰铜镜装饰风格的成因及其内涵研究,对探讨我国古代铜镜艺术的史承渊源和发展脉络,以及该区域内的早期文化交流情况意义重大。
The early geometric pattern bronze mirrors in our archaeological findings mostly belong to the Shang and Zhou period cultural relics, widely distributed in central plains, the northern and northwestern region. The formation of such bronze mirrors' geometric decorative style is the reference and innovation to the ancient painted pottery, petroglyphs and the ground building visual art forms of the graveyards. The investigation in the contributing factor and the connotation of the early geometric pattern bronze mirrors is significant while studying the region and the development of the ancient art of bronze mirror in China as well as the ancient cultural exchange in this region.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2014年第1期71-75,192,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
早期铜镜
几何纹装饰
风格探源
The early bronze mirrors geometric pattern,decorative style cultural research