派中有派的清代扬州画派风格探究——关于当前有关“画派”问题的若干思考

Artistic Style of Yangzhou Painting School in Broad Sense in Qing Dynasty: Thinking over Current Problems Relevant to Painting School

清代扬州画派是指清代在扬州活动的诸多画派的总称,清代扬州画坛汇集了来自东南各省许多绘画流派,其中有寓居扬州的新安派,有以山水界画著称的袁江、袁耀画派,有李寅、萧晨等画学唐宋的唐宋山水派,有禹之鼎的白描写真派,有方士庶的小师山水派,有华嵒的新罗山人派、有罗聘的罗家梅派等等。而扬州八怪是清代扬州画派诸家各派中争议最大一个流派,扬州八怪画家有来自浙江的金农,来自福建的黄慎、华嵒,来自安徽的汪士慎,来自山东的高凤翰,来自江西的闵贞,八怪之中有高翔新安派、板桥兰竹派、罗家梅派、新罗山人派、闵贞西江派等等,所以说八怪不是派,而是"怪以八名",形成清代特有的"书画扬州派",其艺术面貌各异,可谓是扬州八怪,派中有派。

Yangzhou painting school in Qing dynasty here refers to painting circle living in Yangzhou which gathered many painting schools from different provinces in southeast China, including Xin＇an painting school, Yuan Jiang and Yuan Yao painting school, Li Yin and Xiao Chen＇s Tang and Song landscape painting school, Yu Zhiding＇s realistic painting school, Fang Shishu＇s Xiao Shi landscape painting school, Xin Luo hermits＇painting school, Luo Pin＇s mei school, etc. , among which Eight Eccentrics of Yangzhou is the most controversial school. Eight Eccentrics of Yang- zhou include Jin Nong and Hua Lei from Zhejiang, Wang Shishen from Anhui, Gao Fenghan from Shandong, Minzhen from Jiangxi. There are Gaoxiang Xin＇an school, Banqiao bamboo school, Luojia Mei school, Xinluo hermits＇school, Minzhen Xijiang school, etc.. Therefore, Eight Eccentrics of Yangzhou is not a school, but a group named ＂ eight ec- centrics＂ which forms a distinctive ＂ calligraphy and painting school in Yangzhou＂.