新人文:审美的混沌——从卢禹舜的艺术探索看新国画艺术创作

Aesthetic Chaos:New Chinese Painting Viewed from Lu Yushun's Art Exploration

某种因缘际会,读到卢禹舜先生的画作,被他作品中的奇特的表达,浑茫的氛围所吸引。卢禹舜在他的《八荒通神》、《道非云水、云水观道》、《月印万川》、《天地大美·心驰神往·笔随墨顺》、《天有风云物有神》一系列作品中大开大合,既彰显出迥异他人、富于创新的人文内涵的"禹舜风格",也可以从中捕捉到他在艺术创作体验中达到的"审美的浑沌"的新境界。卢禹舜的唐人诗意系列,是他独具匠心,聚神静心,诚意创作的精品。中国传统意境的现代精巧诠释。他的《唐人诗意·精神家园》,表达了他通过唐人诗词寻找精神家园的执着努力。卢禹舜的大量国内外写生,是他作品系列中的重要组成部分。在其正宗的中国技法中,见出西方绘画精神的吸纳,莫奈印象派的光影,立体派的构图。

I do not recognize Mr. Lu Yushun, one day I met with his painting, and then was attracted by some kind of strange expression and vague atmosphere of his painting. In Bahuang series, I read a Yushun style disparate from oth- er artists and full of new humanistic connotation, and seize an aesthetic chaos. In Tangren Poetics series, the tradi- tional artistic charm is interpreted in a modena way. A great amount of sketching in foreign countries is an important part of his works, which absorb western painting suirit in Chinese painting skills.