摘要
明清以降,伴随着"湖广填四川"以及战争、商贸引起的文化迁移与交融,四川地区的演剧走向繁盛,形成了"无节不演戏"的局面。四川方志中记载了大量的节庆演剧史料。节庆演剧产生了五大中心,呈现出仪式向狂欢的蜕变过程,体现了移民文化的特点,并为川剧的最终形成奠定了基础。
With the development of cross-culture, which is caused by war, trade and the Huguang people Migrate into Siehuan since Ming and Qing dynasties, the folk performance in Sichuan area becomes increasingly prosperous. Lots of historical data about festival performance are recorded in the Sichuan Local Chronicles. Festival performance is not only a rite, but a carnival. It brings into the appearance of five centers of festival performance, which reflects the the feature of immigrants culture and sets up the foundation of Sichuan Opera.
出处
《贵州文史丛刊》
2014年第2期30-37,共8页
GUIZHOU CULTURAL AND HISTORICAL JOURNAL
基金
教育部2013年人文社科青年项目"巴蜀民俗节庆演剧研究"(13YJC760114)阶段性成果
关键词
节庆演剧
史料
方志
辑考
Festival Performance
Historical Data
Local Chronicles
The Collection and Research
