中印古典戏剧理论比较——以《舞论》和《闲情偶寄》为中心

Comparation Beteen China and India Classical Drama Theory: The“Dance”and“leisure Accidentally Send”as the Center

文章以宏观研究与微观研究相结合的方式,对中印古典戏剧理论的发展历程做简要梳理,以《舞论》和《闲情偶寄》为中心,从戏剧本质论、戏剧语言论、戏剧编导论和戏剧观众论四个方面进行深入的比较分析,发掘与阐释中印古典戏剧理论间的相通性和差异性,以达到认识他人与自我、互相交流的目的和相映成趣、相得益彰的效果。

This paper combines the macro study with micro study and exhibits the development process of Chinese and Indian classical drama theory.Besides,this paper also analysis the essence of drama,drama language,drama director theory and audience of masterpiece Natyasastra and Xian Qing Ou Ji,which trying to discover the universality and particularity of the classical drama theory.At the same time,in the process of comparative analysis,the western classical drama theory （mainly Poetics）as the third reference also exists in the author＆#39;s discussion.