《生死疲劳》:莫言讲故事的民间写作

Tired Life and Death: Folk-Storytelling Writing by Mo Yan

莫言以旁观者的身份建构"差异",以疏离姿态呈现反抗意识和众声喧哗之势。《生死疲劳》的叙事出于民间立场,在疏离的意义上寄托了对于人性的观照。平行的参照空间的设置,用以审视和解构人类社会的逻辑。莫言得益于"因"和"成",其"法"就是"疏离",就是对于惯常思维和僵化日常生活的批判和超越,以反其道而行之的疏离之式制造了反审判的架势。莫言以反现代的方式塑造现代,以朴素、本真的信念凸显浮泛虚伪、随波逐流的现代丑恶。不同于政治之"红"和情色之"黄",蓝氏男人打造了半个世纪的理与情的纪念碑。莫言在现世和轮回之间建立了互为注解的关系,而故事本身就是一个轮回。

Mo Yan constructs ＂difference＂ as an onlooker and presents the sense of revolting and the attitude of public sounds as an alien. The narrative stance in Tired Life and Death is based on folk position, presenting human contemplation by means of alienation. The setting of a parallel reference intends to examine and decon- struct the logic of human society. Mo Yan benefits from ＂cause＂ and ＂success＂ with the ＂method＂ of ＂aliena- tion＂, which is actually the criticism of the conventional thinking and rigid everyday life and the calling on going beyond, a way to create the anti -trial posture through alienation, an entirely opposite approach. Mo Yan mold- ed the modernism by means of anti - modernism and exposed the ugliness of superficiality, hypocrisy and thoughtlessness in modernism with simple and true faith. Unlike political ＂ red＂ and pornographic ＂ yellow＂ , Ramsey men have built a monument of reason and love for half a century. Mo Yan set up a mutual relationship between reality and resurrection, for which the story itself is a resurrection.