摘要
隋代是赋史上混而未融的复杂的过渡时期。赋家队伍来自江左、山东与关陇三地。赋作大体可分为直言情志、咏物抒怀、写景纪事三大类。隋代赋作,数量不少,但体制单一而又少关世变。所以总体成就不高,这种状况,多因赋家才庸品拙,难成大器,也与文帝朝禁绝文华的政策与炀帝多忌的性格有关。
Characterized by a mixture without thawing, the Sui Dynasty was endowed in the history of the transition period. Poets of the Sui Dynasty were derived from the three places: Left side of the River, Shandong and Guan-long. As a classical writing, Fu of the Sui Dynasty was generally divided into lyrical, descriptive and narrative types. Although Fu was composed in a large number in the Sui Dynasty, Fu had only a single system and was concerned little about the society, so the overall achievement was neither great and nor significant, the situation of which was not only mainly because of the mediocrity and inferior quality of the Fu poets of the Sui Dynasty, but also related both to the policy of abandoning mandarin by the court of Wen Emperor and multi bogey character of Yang Emperor.
出处
《洛阳理工学院学报(社会科学版)》
2014年第2期19-23,29,共6页
Journal of Luoyang Institute of Science and Technology:Social Science Edition
基金
国家哲学社会科学基金重点项目<中国辞赋通史>(项目编号:08AZW001)
湖南省哲学社会科学基金项目<赋体文学叙事研究>(项目编号:12YBA116)的阶段性成果
关键词
隋代
赋
释真观
卢思道
薛道衡
the Sui Dynasty
Fu, a type of classical Chinese writing
LU Si-dao
XUE Dao-heng