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鱼的故事:1981~1995年间弗兰克·盖里作品中的形态研究

Fish Story: Morphological Study on Frank Gehry's Design 1981~1995
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摘要 自1981年史密斯住宅改造开始,盖里对鱼形地探索不断呈现在建筑、灯具、首饰、雕塑、构筑物等各类设计作品中。梳理这些作品所隐含的发展脉络,可以发现他在探究这一母题的过程中,不仅包含了复杂形态建筑化时形态、材料、结构的分别演进,还蕴含着三维再现、结构分级、先进制造等技术的融合,也为其后期诸多作品的形式处理和技术实现提供了必要的支撑。 Since firstly designing fish sculpture as a pillar in front of the Smith House(1981),Gehry had indulged in fish,through his various designs from sculptures and buildings to lamps and jewellery.From his works at that stage,we can find that Gehry's exploration on this motif not only disclosed the evolution of complicated surface in buildings on the aspects of form,material and structure,but also integrated the latest techniques such as 3-dimensional representation,structural hierarchy and advanced manufacturing,and significantly provided the morphological and technical supports for his later works as well.
出处 《建筑师》 2014年第1期36-46,共11页 The Architect
关键词 盖里 形态 设计 Gehry Fish Morphology Design
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参考文献8

  • 1LTED talks, Frank Gehry: My days as a young rebel, http://www. ted.com/talks/langlenlfrank_gehry_as_ a_young_rebel.htmlo.
  • 2Mark Linder, Nothing Less than Literal: Architecture after Minimalism, London: The MIT Press, 2004, p208o.
  • 3Smith House Los Angeles, California, Architectural Record; Jun1983, Vol. 171 Issue 7, p118o.
  • 4沭·奥尔德西,威廉斯著,当代仿生建筑,卢昀伟、苗苗、刘静波译,大连:大连理工大学出版社.2004年3月,p44.
  • 5http://collections.walkerart, orglitem/object/570,~.
  • 6Bruce Lindsey, Digital Gehry Material Resistance/Digital Construction, Basel: Birkh~iuser Architecture, 2001, p56-57.
  • 7Friedman, Mildred, ed. Gehry Talks: Architecture + Process. New York: Rizzoli International, 1999 p176-177o.
  • 8MARTa Freunde, F/~derer e.V., Frank Gehry: MARTa Herford, Basel: Birkh~ser, 2005, p40.

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