沈尹默书法的民国新异之色

Shen Yinmo's Calligraphy,the Novel Specific Color of the Chinese Republic

民国书法的主流是以碑为本,兼采法帖和墨迹。而沈尹默的书法由帖转碑,又由碑转帖,主要取法于法帖和墨迹,追求二王的审美趣味,具有显著的书风倾向,并以此来兼融北碑,形成了气韵沉酣、清新刚健的艺术风格。沈尹默顺应了书法发展的客观要求,使他的书法具有了历史性的意义,表现出了民国书法的新面貌、新气象,成为民国书法的杰出代表人物。

The mainstream of calligraphy in the period of the Chinese Republic lays emphasis on the inscription, together with calligraphy copy and ink mark. Shen Yinmo＇s calligraphy from copying to in- scription, and then from the inscription to copying, was chiefly formed from calligraphy copying and ink mark, and the pursuit of Two -Wang＇s aesthetic taste. He had outstanding calligraphy tendency merged with Beibei, forming the taste of Chenhan, a fresh and vigorous style of art. Shen Yinmo complied with the objective requirements of the development of calligraphy, so his calligraphy had historic significance, showing a new look, new atmosphere in calligraphy, and he became an eminent representative of the calligraphy in the period of the Chinese Republic.