唯美与现实:荷兰画派对《意中人》的文学化用

Aestheticism and Realism:Literary Switch between Dutch Painting and the Well-Beloved

本文旨在分析哈代如何在《意中人》中借鉴17世纪荷兰画派进行文学创作。首先,看似"低俗生厌"的荷兰画派启发了小说的形式创造。哈代借用荷兰画派的手法和内涵融通了绘画与小说这两种不同艺术形式在再现现实主义思想上的一致性。其次,荷兰画派是《意中人》的想象来源之一。荷兰画派的意象、主题和类别被创造性地整合进《意中人》中,哈代借此表达了艺术取代上帝,以审美的态度应对人生的文学思想。

The paper attempts to approach how 17th Century＇ s Dutch Painting in the Well-Beloved. Thomas Hardy ended up his literary creativity by applying The seemingly low genre initially inspires the novel＇ s for- mat by Hardy＇ s employing painting methods and its implications to present the identity in realism between no- vel and art. Meanwhile, Dutch painting is one of the sources of novel＇ s imagination. Its images, themes and classifications are creatively integrated into the novel for Hardy to convey his aesthetic attitude to life and liter- ary conception that art can displace god.