摘要
蒙古族英雄史诗往往包含两个重要对立形象——"至善至美"的英雄和"至恶至丑"的蟒古思。然而"美"并不是一个永久不变的概念,不同时代、不同民族对"美"的理解千姿百态、因人而异。本文通过对蟒古思形象的内在美与外在美的分析,深入探讨了在人们心中根深蒂固成为"丑"与"恶"的存在的蟒古思,如何能成为"美",怎样成为了"美"。在充分认识了蟒古思形象的内在美与外在美之后,从两方面阐述了其由"美"到"丑"的因由。
Mongolia epics often contains two important opposite images ---perfect hero and ugly Python Guth .However ,“beauty”is not a permanent concept ,different times ,different people understand“Aesthetics”in different poses and with different expressions ,and it differs from man to man .Based on the analysis of python Guth’s formal and internal beauty ,we consider Python Guth ,which was the “ugly”and“evil” image in people hearts deeply ,why to become a “beauty” ,how to become “beauty” .After fully understanding the formal and internal beauty of Python Guth ,we talk about two aspects that influence it from “beauty”to“ugli-ness” .
出处
《内蒙古民族大学学报(社会科学版)》
2014年第1期71-75,共5页
Journal of Inner Mongolia Minzu University:Social Sciences