论戏曲、宣卷的《何文秀》文本空间与时代、地域之关系

Relationship between the textual space of He Wenxiuin form of traditional Chinese opera or Xuanjuan with time and location

盛传于江南的何文秀故事,其故事的载体主要是戏曲和宣卷。它之所以能在明中叶后问世,并在明末与清末民初出现了两次传播高潮,是因为它对社会现实的批判态度与对主人公命运的摹画应合了底层百姓的心声。戏曲《何文秀》的文本空间的构建与它在清末之后的较大变化,与时代需求、审美风尚有关,而宣卷《何文秀》的文本空间相对稳定,是因为受制于乡村环境和农民的欣赏习惯。

The legend of He Wenxiu prevalent in the south to the Yantze River was passed down in the form of Chinese traditional opera or Xuanjuan(a local opera).It was written in the middle Ming Dynasty and got popular in the late Ming Dynasty and the late Qing Dynasty.The hero's life and its criticism of social reality echoed the aspirations of common people.The textual space of He Wenxiuin form of traditional Chinese opera was decided by the fashions of different periods;the textual space of the art form of Xuanjuanis relatively stable in that it was determined by the restricted rural life and farmers'aesthetic taste.