摘要
从中国剧场发展史看,在独立的戏园出现之前,或者与独立的戏园相辅相成,会馆、神庙戏台是戏曲演出的极重要场所。从传播学角度看,移民会馆也是向大众传播戏剧文化的重要场地,除了会馆戏台上艺人唱、做、念、打的动态演出,各种静态的戏曲故事及人物雕刻作为会馆建筑装饰,亦可谓是绝妙传神的"无声戏"。结合田野考察与历史文献,考察移民会馆与戏曲文化的关联,是戏曲学研究不可忽视的课题。
The theatre development in China tells us that guild halls and opera stages in temples were important venues for opera performance before the appearance of theatres.Communication theory proves that the venues also included guild halls.Compared with performers'singing,acting,recitation and acrobatics on stages,stories themselves and the decorative carvings of characters in guild halls,though mute,were no less wonderful.Research in the relationship between guild halls and operas,if combined with field investigation and historical literature,is bound to be an area worthy of study.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第1期114-118,共5页
Journal of Southeast University(Philosophy and Social Science)
基金
教育部人文社科重点研究基地重大项目“中国古代民间神灵信仰研究(一)”(11JJG750010)阶段性成果
